- #TEAMVIEWER 13 SECOND SESSION ON SECOND MONITOR UPGRADE#
- #TEAMVIEWER 13 SECOND SESSION ON SECOND MONITOR FULL#
- #TEAMVIEWER 13 SECOND SESSION ON SECOND MONITOR PRO#
- #TEAMVIEWER 13 SECOND SESSION ON SECOND MONITOR SOFTWARE#
- #TEAMVIEWER 13 SECOND SESSION ON SECOND MONITOR PASSWORD#
Instantiate the ListenTo plugin on that track and login to your account (yes they allow you to use multiple logins and multiple streams) - name the stream TALKBACK in the plugin and start transmission - copy and paste this stream URL into the LISTENER plugin on the remote computer and hit connect. Run a DAW ( I used Ableton LIVE) on your local computer and either use the internal mic or a microphone into an interface and put a channel into input monitoring ( again put the output to NO OUTPUT so you don’t hear it). If I want the vocal louder or any other level adjustments, I just alter the Buss sends. I also send every track and Reverb Buss to Buss 10 so I can monitor them all. I then send a PRE-fader send to my STREAM Buss so I can hear the mic live.
#TEAMVIEWER 13 SECOND SESSION ON SECOND MONITOR SOFTWARE#
So I do have software monitoring on, but I make a VOCAL RECORD channel and pull the fader down (so they don’t hear it). In the scenario I have been working in, the singer is monitoring directly from the input of their interface (as the latency was was off-putting for them). If they are ‘software monitoring’ the recording microphones at the remote location, just send those to the STREAM buss as well for your monitoring. This is so you can have a different mix to the stereo output of the remote DAW. Set the output of this Buss to NO OUTPUT. Set the buffer delay in the ListenTo plugin to 0.2 seconds. Open the mixer in your DAW and create a new track (Control N in Logic) in the session of the remote DAW - I use BUSS 10 - name it Stream.
#TEAMVIEWER 13 SECOND SESSION ON SECOND MONITOR PRO#
Put the ListenTo plugin on a Buss (Aux Track on Pro Tools) Use Wetransfer or Dropbox to send the session files to the remote computer if they aren’t on it already.
#TEAMVIEWER 13 SECOND SESSION ON SECOND MONITOR FULL#
On your local computer: Log in and go full screen so you can use their computer as if you are on it. When the artist loads Teamviewer they will see this information.
#TEAMVIEWER 13 SECOND SESSION ON SECOND MONITOR PASSWORD#
Once all the above is installed on both computers, get the Teamviewer ID and password of the remote computer. Head over to Audiomovers and grab ListenTo - their incredible, cheap plugin (you get a week free to start with) that enables live streaming of the output of a DAW to anyone in the world with a web browser, even on a phone.ĭownload Zoom or Skype - I run these on my iPhone so I can mute all audio and still have a visual connection with the artist.ĭownload the Sound Radix Muteomatic plugin When I refer to Buss, replace with Aux Track if you are using Pro Tools. NB: I use Logic Pro but this will apply to any DAW. Here’s my Step by Step Guide to recording remotely All the other plugins I’m using are free.
#TEAMVIEWER 13 SECOND SESSION ON SECOND MONITOR UPGRADE#
Teamviewer runs OK for about four hours on the free version, but the upgrade is cheap if using professionally. And the only cost is for the Audiomovers plugin ($99.99 per annum). It’s as close to being in the studio with an artist as it will get for the moment. This method has been seamless for me, virtually no lag or delay and no crashes. Use a talkback system from your laptop directly to the artist’s headphones, that cuts when you hit play or record on the remote DAW.Īdjust the artist’s headphone mix and even turn their speakers on and off in their room to listen to tracks. Stream the audio from that remote DAW (including the live mic) back to yourself. Operate a DAW (eg: Logic, Protools) on an artist’s computer remotely and record vocals/instruments. I have combined a few free and cheap software packages to enable this easily. I have worked out a scenario that has been working for me in the past few weeks, and I wanted to share it in the hope that there might be something here that is useful for you too. With artists unable to travel let alone be in the same room as me, I was determined to figure out a way to keep working and making records. When the lockdowns were announced in March, as for many of us, my work was in danger of drying up. I have spent most of my working life holed up in small rooms with the same bunch of people day in, day out, staring at screens and wondering when the tea will run out.įrom my studio in a repurposed German communications bunker as a teenager to the Fallout Shelter at Island Records where I worked in my twenties, and the countless tour buses I’ve been lucky enough to travel the world in - give me four walls, some talented people and a good pair of speakers and I am generally very content. Like a lot of recording studio professionals, I am quite used to the idea of staying in one place for long periods of time.
It’s relatively simple, works in any DAW and well worth investigating. Producer Tim Bran, who has been creating music remotely for many years, has devised a workflow for remote recording using a combination of software from Audiomovers, Teamviewer, Sound Radix, Zoom and Skype.
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